Jill Basham

“I strive to get my paintings to a point to which I "feel" the place I have painted, and hope others do as well.”

Shadow of Greatness

30 × 24
Oil

$5800

Jill Basham oil painting titled Gilded 40x60 $15000
Jill Basham oil painting titled Gilded 40x60 $15000

Gilded

40 × 60
Oil

$13,000

Catching Wind

18 × 24
Oil

$4,100

The Smokies

12 × 9
Oil

$1,200

Bed of Roses

10 × 8
Oil

$1,100

Jill Basham oil painting titled Drift Away 30x30

Drift Away

30 × 30
Oil

$7200

Georgia on My Mind

20 × 20
Oil

$3800

Jill Basham oil painting titled Coastal Field 6x8

Coastal Field

6 × 8
Oil

$850

Jill Basham oil painting titled View to the Bay 16x20 $3200 oil

View to the Bay

16 x 20
Oil

$3200

Jill Basham Timeless 20x24  oil linen panel 4200

Timeless

20 × 24
Oil

$4200

Jill Basham oil painting titled The Quiet Hours 16x20 23x27 $3200

The Quiet Hours

16x20
Oil


$3200

Sentry

12 × 24
Oil

$3200

Jill Basham Slumber 9x12 oil linen panel 1200

Slumber

9 × 12
Oil


$1200

Jill Basham oil painting titled The Mood of the Cape 16x20 oil panel 3200

The Mood of the Cape

16 x 20
Oil


$3200

View Near Menerbes

4 x 5
Gouache

$750


Jill Basham

"I am overwhelmed by the beauty of nature, in particular the atmosphere of an environment. Atmosphere is revealed by how the light strikes objects, both natural and manmade. I particularly enjoy the mood of skies and expansive views. Inspiration can arrive anywhere, from a bustling street in Manhattan to an isolated marsh. It's the "feeling" of the place that inspires me, and I hope to translate. When painting a scene, I don't have specific rules for myself. I prefer to let a scene and my feelings for it, set my approach. Palette knives, brushes, household items and hardware store finds have all been used in moving paint onto and around my canvases. I see each painting as an experiment that is unfolding. My initial goal can be interrupted by a new idea during the process, and I'm okay with taking a different path and veering from what might have been comfortable. Of course, there are risks with this, the fear of "failure", and quite possibly a painting that needs to be wiped off...yet that's okay with me. It's the safe paintings that I find less exciting. The truly moving pieces are the ones that I pushed a bit. There are stories to tell. I strive to get my paintings to a point to which I "feel" the place I have painted, and hope others do as well. My hope is that others see and feel the stories I'm telling."

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Barbara Nuss